testosteros Editor: trythil, Corran, Prodigi, mirkosp, Mamo!, Koopiskeva, Kristyrat Video: Original Animation, Mind Game, Aachi & Ssipak, Baccano!, Soul Eater, Xam’D, Gurren Lagann Artist: Pendulum Song: Granite, Visions www.animemusicvideos.org
testosteROS
March 10th, 2010 by fabulaDragon Ball Z ( The defenders of the Universe )
March 10th, 2010 by fabulaAnime:Dragon Ball Z,AF,KAI,GT Prog:Sony Vegas Pro 8.0c Editor:Clomaxssj Band/Song: safetysuit – What If Technical Specs: Video Length: 3:45 min Video Codec: WMV (windows) Resolution: Custom(640 x 480) Frame Rate: 29.970 fps Ps:Thanks!!!! DB dragonball Dragon Ball DBZ…
s0wZ by christiaN
March 9th, 2010 by fabulaHQ DL: www.megaupload.com plz download the clip so u can see it with sound
Hello guys, i asked one of my best mates (s0wz) if i could make a clip to him, and he said ofcourse yes, the 3 unscopes was through smoke i just took some hack på if i didnt u couldnt see any of the unscopes. 5man deagle isnt fake! http:///www.youtube.com/s0wzz sub him, hes a very sick editor and player and i love him (heart) outro made by www.youtube.com plz sub him and the outro is just made for fun so plz dont flame that. ty to www.youtube.com for fixing sound, also sub him, hes a great editor! hope u like this clip much better than the others
– HF WATCHING!
Skynet Symphonic
March 9th, 2010 by fabulaComprising nothing but small sounds recorded from the James Cameron masterpiece ‘Terminator 2: Judgement Day’, ‘Skynet Symphonic’ is my tribute to one of the greatest action features of all time! Each section is composed entirely of sounds from a major scene in the film. For example, the Terminator pounding on the fire escape door is used as a kick drum. Bones breaking play the role of a snare. Electrical disturbance acts as a crash cymbal. Turn up your cones and enjoy!
Hexadecimal Color Code Chart for Web Font Colors
March 8th, 2010 by fabulaVirtually all website building software now comes with a user-friendly font color selection tool, so the need for a hexadecimal color code chart is not always necessary to have in designing and formatting your website font and background colors. However, under certain circumstances, it is still convenient to have a color code chart or table available as a handy reference for quick font and background editing.
There are times, after previewing a site you have been building, that you will find a particular line of text or hyperlink that does not appear to have the proper font color to adequately fit in or stand out amongst the content of the page as you wish. Some online webpage builders have website templates that have the font color set in a particular hexadecimal color code as a default setting. If you prefer not to change the default setting, generally because the majority of text and hyperlinks will be created using the default color, you may find times where a hyperlink or text content will be using the default font color, though it does not suit the appearance and presentation of the particular page content you are designing.
In this case, there are several choices you have in editing the html or xml code of the content to bring the content color in line with what you are trying to achieve. If the content on the page you are working on is smaller and includes basic text without a lot of other layout codes, it is very simple to open the website content editing software, choose the particular text or content, and change the color with the dropdown or fly-out color code chart. If the page or content code is somewhat large with a lot of tables, hyperlinks, images, etc, you may find it easier to select the html code away from the site building interface and simply insert or change the particular content with the hexadecimal color code you want to use. After changing the code in a text editor, you simply “select all” and paste the new code to the page you are working on.
The reason this is sometimes useful is that opening a large and intricate array of content code will sometimes change little bits and pieces of the formatting of tables, images, hyperlinks, etc, and make reloading, editing, and saving the new code a repetitive and never ending attempt to achieve the final result you need. Many times, the page building software will remove return breaks, change hyperlink colors to the default color, resize or lose an image setting, and even lose a table row or column setting, among other annoying changes.
By having a simple hexadecimal color code chart [http://www.startsharper.com] available to use outside of the page building software, you are able to make minor adjustments to the website and page content, without opening the large and intricate array of code in the page builder software. If–for the most part–the page content is appearing as you wish with maybe only a few small areas of content, titles, or hyperlinks needing a color change, editing the html code in a text editor will allow you the ability to edit or insert the new color code without risking changes to the overall content.
What I have found most practical, is to save the html code of a hexadecimal color code chart to a basic text editor that can be opened in a separate browser window. There are sources available in software, books, and some internet sites, that have un-copyrighted hexadecimal color code chart numbers available to be used for non-commercial and personal use. By saving these codes in an html file, the hexadecimal color code table or chart can be opened in a separate browser making a convenient color pallet for font color, background color, and table color editing and referencing. Simply save the hexadecimal color code chart as; for example: colorchart.html. For quick access, drag the saved file to your quick launch toolbar location, and on two clicks, you will have an opened color pallet, hexadecimal color code chart for easy content coloring, adjusting, and editing. If you are unfamiliar with hexadecimal codes, you can view an example of the colors and code at: StartSharper.com [http://www.startsharper.com].
How to Submit Cartoons for Publication
March 8th, 2010 by fabulaThe goal for any cartoonist is to see your work in print. Whether it’s in a magazine or newspapers, there’s nothing quite like having your efforts validated by a real, by-gosh genuine cartoon editor. My first published cartoon was in a nationally published magazine. It only paid me 25 bucks, but the value of being a published cartoonist was incalculable! Here’s a quick primer on how to prepare a single-panel cartoon for submission.
Neat Drawing
Once you have worked out the details in your brainstorming session, you need to transfer your drawing to a clean sheet of 8 ½ x 11 inch sheet of paper. Regular printer paper is fine – as long as it’s clean. Don’t get cutesy with the size of the paper or the color. Bigger paper is a pain for editors who have to pour through lots of submissions, and submitting your work on brightly-colored fluorescent paper will NOT make it stand out – at least not in a good way. It screams amateur and will get it thrown in the trash.
I will often transfer the drawings straight out of my sketchpad onto printer paper via a light box. I like this process because it preserves the spontaneity and comical whimsy of the sketch which is sometimes lost when a piece is overworked in an attempt to make it “perfect”.
Using a Light Box
You can get a light box at your local craft store for next to nothing, or you can go to the internet and look up plans for building your own. Simply tape the cartoon rough in place and then tape your clean sheet of paper over top. Turn on the light and you can clearly see the original through the paper. Transfer the drawing using a black pen. This also eliminates the need for erasing pencil marks which can leave your work messy.
Don’t worry about drawing the border around your cartoon. The editor will do that if they need one – often they don’t.
The Artist’s Market
You can find lots of publications that accept freelance cartoon submissions by looking through a current edition of The Artist and Graphic Designer’s Market. This book contains lists of magazines and what they pay, as well as the names of editors and submission details. Study them and then submit accordingly. This is important because different magazines require different things. Some have a minimum number of cartoons that you have to meet; many list things they are looking for as well as things they don’t want to see.
Mail ‘em Out
Once you have your submission packet ready, it’s time to send them in. Most publications ask that you send in copies of your originals. Just make sure that you send them in on decent quality paper – not the thin paper most public libraries use. Each packet will require two manila envelopes: one for the packet itself, and another that you will put your own address and postage on. This is commonly called the SASE (Self Addressed Stamped Envelope) and is a courtesy you offer the editor so he/she can conveniently send back your artwork (along with a check for any they decided to buy!). Don’t worry about any kind of cover letter – they know what a submission packet is for, and your cartoons will speak for themselves.
Once you’ve sent the packet in, it’s time to get started on the next set of submissions. Keep doing this week after week and you’ll eventually get that first sale!
HUJAN – Kau Harus Ada (Music Video)
March 7th, 2010 by fabulaKau Harus Ada Song / Lyric: Noh Hujan Videographer, Director & Editor: Fad Manaf Recorded Live At The Republic Polytechnic Cultural Centre Woodlands,Singapore
Panaginip Lang (by Paramita)
March 6th, 2010 by fabulaDirector/Editor-Emman Pascual; DOP-Pao Pangan; Prod Mgr-Gavin Herrera; Costume-Roma Regala; includes excerpts from “Ang Huling Araw ng Linggo”; 09193875089
[ENGSUB] 090402 5ong B4ttle Super Junior (5/7)
March 5th, 2010 by fabulaBrought to you by sjsubs Translator(s): ferugamo13,nophielicious Editor(s): diana©, xiaomaii, Timer: gemiesj Encoder(s): kirra12, gemiesj Uploader(s):kirra12, junearch